Thameur Mejri investigates complexities of human existence by identifying parallels between paradoxical ideas of violence, innocence, guilt and shame.
There is an interplay between painting and film. He approaches painting as a film director and he films with the vision of a painter, allowing for the qualities of each discipline to manifest upon one another; the chaos and movement in his paintings are a testament of this.
The energetic application of colour establishes the atmosphere in this confrontation between heaven and hell, each represented by blue and red. In choosing these colours as a departure point and importantly for their opposing religious connotations of heaven and hell, he confirms the major influence of these symbols, particularly in the Muslim world.
